Third Annual Bookspot Central Book Tournament Announcement
Books, Website Information | Brian | February 18, 2009 at 12:51 pmWelcome to the announcement of the third annual Bookspot Central Book Tournament.
For those coming back welcome, for those new to the tournament this year here is a brief rundown of what to expect.
Every year we hold two book tournaments; one for the past years releases** and one for classics***. 64 titles are chosen for the new release tournament and 32 titles for the classics tournament. You vote, titles advance and a winner will be declared.
All the gory details are below the fold.
Rules:
Each match-up will have its own dedicated thread. Voting is simple. All you have to do is:
1) Name your pick
2) Tell us why
3) Defend your choice to the death if need be. (Poke them with the soft cushions if you have to; just make sure that all the stuffing is in the point.)
You only get one vote but can continue to post on the thread to debate your selection or convince someone to change their mind.
If you want to change your mind please feel free, just make sure your post is clear.
New for this year:
-The addition of a points system. The rules as stated above consist of two parts; naming and why. If you simply name your choice it will be worth 1 point; if you give the why then it will be worth an additional point. This additional point will be granted at the discretion of Bookspot Central.
-The cutoff for voting will be 8pm EASTERN STANDARD TIME
-New round of voting will open the next day.
-Starting this year there will be a third dealer’s choice tournament. The same voting rules as above will apply and there will be 16 entrants. The tournament subject will change from year to year; some possible future dealer’s choice tournament ideas are movies, book covers, short stories, characters, mystery/crime fiction and books in a specific sub-genre. In most cases the entrants of this tournament will not be released ahead of time.
VOTING SCHEDULE:
2008 Release Tournament
Round 1: 3/15 & 3/16
Round 2: 3/17 – 3/20
Sweet 16: 3/21 – 3/25
Elite Eight: 3/26 – 3/30
Final Four: 3/31 – 4/6
Finals: 4/7 – 4/13
2008 Classics Tournament
Round 1: 3/17 – 3/20
Sweet 16: 3/21 – 3/25
Elite Eight: 3/26 – 3/30
Final Four: 3/31 – 4/6
Finals: 4/7 – 4/13
2008 Dealers Choice Tournament
Sweet 16: 3/21 – 3/25
Elite Eight: 3/26 – 3/30
Final Four: 3/31 – 4/6
Finals: 4/7 – 4/13
So without further adieu here are the lists of books in this year’s tournament. The actual match ups won’t be made public until the start of the tournament.
Any questions, concerns, comments or observations about the tournaments can be posted here.
For a taste of the insanity of past tournaments please go here.
2008 Tournament Entrants
A Magic of Twilight by S. L. Farrell
All the Windwracked Stars by Elizabeth Bear
An Evil Guest by Gene Wolf
Anathem by Neal Stephenson
Before They Are Hanged by Joe Abercrombie
Black Ships by Jo Graham
Bloodheir by Brian Ruckley
Cain Black Knife by Matthew Stover
Clockwork Heart by Dru Pagliassotti
Couch by Benjamin Parzybok
Dragon Strike by E E Knight
Englebrecht Again by Rhys Hughes
Escape From Hell! by Hal Duncan
Gears of the City by Felix Gilman
Goblin War by Jim C Hines
Go-Go of the Apocalypse by Victor Gischler
Iron Angel by Alan Campbell
Jhegaala by Steven Brust
Knights of the Cornerstone by James P Blaylock
Last Dragon by J.M. Mcdermott
Liberation by Brian Francis Slattery
Little Brother by Cory Doctorow
Lord Tophet by Gregory Frost
Matter by Ian Banks
Mirrored Heavens by David J Williams
Multtireal by David Louis Edelman
Nano Comes to Clifford Falls and Other Stories by Nancy Kress
New Tricks by John Levitt
New Weird Edited by Jeff Vandermeer & Ann Vandermeer
Pandemonium by Daryl Gregory
Paper Cities Edited by Ekaterina Sedia
Pisstown Chaos by David Ohle
Pretty Monsters by Kelly Link
Pump Six and Other Stories by Paolo Bacigalupi
Return of the Crimson Guard by Ian C. Esslemont
Sharp Teeth by Toby Barlow
Sly Mongoose by Tobias Buckell
Steampunk Edited by Jeff Vandermeer & Ann Vandermeer
Tender Morsels by Margo Lanagan
The Alchemy of Stone by Ekaterina Sedia
The Court of the Air by Stephen Hunt
The Digital Plague by Jeff Somers
The Dragons of Babel by Michael Swanwick
The Drowned Life by Jeffrey Ford
The Edge of Reason by Melinda Snodgrass
The Engine’s Child by Holly Phillips
The Ghost in Love by Jonathan Carroll
The Gone-Away World by Nick Harkaway
The Hero of Ages Brandon Sanderson
The Host by Stephanie Meyer
The House and the Stag by Kage Baker
The Inferior by Peadar O’Guilin
The Love We Share Without Knowing by Christopher Barzak
The Martian General’s Daughter
The Resurrectionist by Jack O’Connell
The Situation by Jeff Vandermeer
The Unblemished by Conrad Williams
The Way of the Shadows by Brent Weeks
Through a Glass Darkly by Bill Hussey
Toll of the Hounds by Steven Erikson
Valley of Day-Glo by Nick DiChario
Victory of Eagles by Naomi Novik
Wastelands Edited by John Joseph Adams
Zoe’s Tale by John Scalzi
2008 Classics Tournament
A Voyage to Arcturus by David Lindsay
Akira by Katsuhiro Otomo
Animal Farm by George Orwell
Blindness by Jose Saramago
Bones of the Moon by Jonothan Carroll
Bridge of Birds by Barry Hughart
Dune by Frank Herbert
Ender’s Game by Orson Scott Card
Gloriana or the Queen Unfulfilled by Michael Moorcock
Good Omens by Neil Gaiman and Terry Pratchett
Gormenghast by Mervyn Peake
I Am Legend by Richard Matheson
Interview With the Vampire by Ann Rice
Last Call by Tim Powers
Lord of the Rings by J R R Tolkien
Master & Margarita by Mikhail Bulgakov
Nine Princes in Amber by Roger Zelazny
Out of the Silent Planet by C S Lewis
Ringworld by Larry Niven
Snow Crash by Neal Stephenson
Song of Kali by Dan Simmons
Sundiver by David Brin
The Dragon Masters by Jack Vance
The Haunting of Hill House by Shirley Jackson
The Last Coin by James P Blaylock
The Last Unicorn by Peter S. Beagle
The Lathe of Heaven by Ursula K Le Guin
The Riddle-Master of Hed by Patricia A. McKillip
The Shadow of The Torturer by Gene Wolfe
The Three Stigmata of Palmer Eldritch by Philip K Dick
Tigana by Guy Gavriel Kay
Where the Wild Things Are by Maurice Sendak
**Calendar year of the participating year
***Criteria for classic tournament is 10 or more years old; winner of past tournaments are exempt except in the case of a best of style tournament; titles placing 2nd, 3rd and 4th place earn a bye into the next tournament; titles placing 5th through 32nd have a 1 year exemption placed on them.
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Yeah, tournament time!
Woohoo! Best news I’ve had all day!
Awesome with a Capital ‘A’, baby!
I question: who has put together these lists? And what are the criteria (apart from when they are published)? And why are there so few female authors on either lists? (Though the 2008 list is partially better than the classics list where only four female authors out of 32 are represented). I, for one, miss Marion Zimmer Bradley, among others, on the claasics list, and I certainly feel that the 2008 list doesn’t really reflect the number many excellent female authors that have begun to influence the market in the previous years.
It would be nice with a greater degree of transparency as how to those lists are put together. I know that my own tastes leans markedly towards female writers (for various reasons)and thus I haven’t read that much on either lists, which is a bit of a shame as I really like the idea of this tournament.
Please bear in mind that this question is not a demand for the inclusion of more female writers solely to fill some sort of “quota” but a genuine question. It pertains to a state of affairs that still dominate in all the areas of the arts, not just in fantasy and sci-fi. I see it within my own field where museums etc. still buy 96 % of the contemporary art from male artists despite the fact that there now are as many female artists as male and that many of the women are immensely talented but also much less recognized than many of their male collegues. I know that bringing the question of gender into discussions of artistisc merit almost always acts as a firebrand but my questions and criticisms comes from years of disappoint and weariness in the status quo and the apparent willingness to serious examine and dicuss some of the biases (often unacknowledged and unrecognized) that inform the genres.
There is no lack of transparency, the list (and discussion of – including candidates) was put up in a forum where you (and every other contributor) are able to view and add to and chose not to (or didn’t see). We have several female (and male) contributors who could have added their perspective and looking back on it now, none chose to (at least publicly – some could have contacted Brian privately).
So to answer the question the list was formed by ever contributor here, whether through advice given or silence.
Ok – I wasn’t really aware that that was the case. The selections just appear to have been buried in a longer thread. My bad for not being cognizant on the rule of the tournament. The subject is, however, legitimate for a debate on a more general level.
I don’t feel that the subject is legitimate for debate. As the person ultimately attached to the impending announcement of the nominees for the Spinetingler Awards, I’m aware that if there aren’t women on the lists I’ll be accused of being sexist, but I don’t want books on the lists that aren’t as good as other books, just because of the gender of the author.
And what’s next? We have to make sure we work out the acceptable ratio of caucasian candidates, african-american candidates, hispanic authors, etc. etc?
The only way to avoid these issues is to do separate book tournaments, one for male authors, one for female authors. There’s a lot of work involved in the tournament and I don’t see anyone stepping up to the plate to help Brian run another tournament (and I did help with some switchovers myself last year, so I feel I can make the criticism) so I’m not going to put it on his shoulders to do another one just to satisfy this issue.
There’s a thread, there’s an opportunity for people to contribute, as there was for the Spinetingler Awards, and the overwhelming majority of ARs here did not participate. There’s nothing to criticize.
No sweat Trin.
Sandra – I really appreciate that Brian does this because it’s one of major annual (fun) things we do that I literally have nothing to do with in terms of that it doesn’t take any time from me doing other site related projects, that I can count on being on time! Literally, if I had to manage it, we would not have a tournament as I just don’t have the time to manage what is really a big project and one that has a timetable that has to be adhered to.
I think that regardless at the end of the day its a fun project rather then something that is a full blown cross section at anything. Even if you look at some of the books that may or may not make the list. Brian just get with me on how I can help.
Jay and Damon, I appreciate your acknowledgement of how much work Brian puts in on what’s supposed to be a fun event. I guess I should risk offense by being blunt enough to bail you both out, in a way. What I never understand is the armchair critic mentality. It’s easy to point fingers and say you don’t like how something’s run, but how often are those people getting involved, actively saying, “Okay, how can I pitch in and fix this or make it better?”
And there’s a time and place, and for ARs I think the AR forum is where it should come up first. A controversy many of you won’t be aware of occurred a few years ago, with the announcement of the nominees for the first ITW thriller awards. No female authors had been nominated. I won’t do a rehash – suffice to say accusations were made, all over the internet and what it did was taint the awards and the accomplishment of every author who was nominated and who ultimately won. And that was tragic. The problem with tossing mud at the announcement of the tournament is that it could have a similar effect. I hope every author who has a book in the tournament can enjoy that and not feel guilty about being there or that there was any sexism involved. Since I’m an author and Brian’s partner, I think I’m in pretty good position to say he’s not sexist. And probably reads more female authors than I do.
In a few weeks we’ll announce the Spinetingler nominees and I guess I’ll be the new sexist in the family.
There’s certainly a noticeable lack of paranormal/urban fantasy in the 2008 list, considering how well that genre of book sells and how there are a number of readers and reviewers of it here at BSC. But yes, Brian posted a preliminary list of suggested books a month ago — which in the past, at least, has been based on his own reading, reviews he’s read here and elsewhere, and “best of” lists here and elsewhere — asked the BSC reviewers for comments (“tell me what you think, what you hate, what you disagree with, whats missing”), even noted that more books were needed to fill out the list to 64. Only one reviewer replied (at least publicly), kcf, and his reply did include two additional books by women that were both added to the list. This seems fairly transparent.
That said, I think we’ve seen already that the “it’s just meant as fun” posture doesn’t really work, and I imagine everyone would be open to suggestions for improvement. One obvious thing for future years is to make sure the preliminary list is posted in a separate, clearly labeled thread — because people may be interested in helping to develop the list who are not interested in the rules and mechanics of where tournament postings will occur, etc. Also, ideally the preliminary list would include paranormal/urban fantasy books and any other subgenre that constitutes a large part of the fantasy landscape, taken from the NYT bestseller lists if nowhere else, to help indicate that those genres of book would be welcome should reviewers have such books that they want to nominate for inclusion. I can imagine people seeing the preliminary list and assuming that certain kinds of books weren’t desired or eligible.
Just bear in mind that this is already a lot of (largely thankless) work for Brian and that in the past, people have been quick to volunteer but slow to actually contribute…so assume that anything suggested is something Brian himself would need to do. Having seen the tournaments from past years, the first year there was a lot of reviewer participation in creating the list of nominees, the second year things trailed off a bit and Brian seemed to get stuck doing a ton of work, and so I can’t blame him at all for seizing the reins from the start this year.
P.S. Re: gender counts, one thing I noticed with the 2008 list is that the two VanderMeer anthologies should have both Ann and Jeff listed as editors.
Damn, I’m already bored by the tournament.
Im just glad I snuck my books in, as the reward for this tournament is some chalice looking thing with some engraving
Sandra:
I certainly never meant to sling mud or level any accusations, and I’m very sorry if you read my comments as such. i should have articulated my thoughts better. I didn’t mean to be an “arm-chair” critic and would actually have loved to be involved, but since the debate was buried in a rather obscure thread I got the feeling that this was a kind of pet project of someone and that I should be too forward.
What I tried to indicate with my comments weren’t any accusations of deliberate sexism but rather that it is quite unfortunate how our unexamined cultural biases often inflects our notions of artistic quality without us even noticing it! And this is something that I do feel very confident in bringing up as I have spent years researching this in the sphere of art. And one of the most common strategies to derail a debate on gender in the arts is the accusation of tokenism! Let me say very clearly that chosing novels for such a project doesn’t necessarily mean that artistisc quality has to be sacrificed for a more even selection across gender, race, sexuality etc. And doing separate things is not the way either, it is in fact another strategy to keep things “separate, but unequal”. Artistic quality is never truly aloof from historical and cultural values and prejudices, and this attitude of “art for art’s sake” is to me just another way to refuse to engage with the subject. Because what are the criteria of judging artistic value? Those criteria doesn’t exist in a cultural vacuum but are informed by history and culture. Fx a hundred years ago, art critics often chose to praise talented female painters with statements about how their style was “masculine”, i.e. of quality. This is a very direct and blunt way to show how notions of artistic excellence/value is deeply embedded in cultural and historical values but I feel it serves my point.
As Matt pointed out – there’s also a dearth of Urban Fantasy on the list, which incidentally is dominated by both a female authorship and a female audience.
Forgive if I’ve appeared somewhat sharp in my response by my questions and comments were not motivated by a desire to “sling mud” or complacently criticisme something I won’t do myself! I have been engaged with this kind of gender politics for years and rather sad to see almost no progress or even willingness to discuss these issues. Instead, I’ve often been dismissed with a number of rather poor arguments without any willingness to even listen to my points or the research that backs them up. This is a very tiresome experience and sometimes it is the little things that finally cause my temper to boil over. I’m sorry if I’ve hurt Brian’s feelings, it was never my intention. However, and this is addressed to you Sandra, I explicitly stated that I wasn’t arguing for quotas or tokenism, and in this post I have laid out my arguments why this subject is indeed a legitimate subject when we draw up lists of canonical art work, whether it is in literature or the arts. “Artistic value” is NOT defined in a historical and cultural vacuum and I feel that it is very important to examine our own biases in this regard because throughout history a number of writers and artists have been made invisible because of their gender and race precisely because our notions of what constitues “good art” never can be divorced from our general culture.
I read the thread, but never really felt comfortable suggesting books. I guess because of the lack of urban fantasy and the like on the list in the past, I didn’t think it qualified. I’ve always figured that my reading tastes were in the minority and had read so few on the list, it didn’t seem like anything I could participate in. Go figure, my mistake.
The debate will always go on about whether enough women are nominated, but perhaps it is a reflection of who does the nominating–and in this case, I think silence was the factor.
That said, of the books I might have included…I think they were all male authors. :>)